My Dear MelancholyGaspar Noe/Cannes Film FestivalThe My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective. Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking. https://preview.redd.it/qga7a3l8ct261.png?width=910&format=png&auto=webp&s=371cf20d42ee8783cc23bfe7f2cfa16a0a927a0e Asian Cinema Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed. https://preview.redd.it/fx7o9s2bct261.png?width=642&format=png&auto=webp&s=0fec2f841e9d3b09104238d0f89595daa6140faa https://preview.redd.it/n4x7fiy9ct261.png?width=1316&format=png&auto=webp&s=8a9650263272518216fc5f36913e80a10d2b0a8e After HoursMartin ScorseseWhile After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society. While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours. https://preview.redd.it/wcds9qpdct261.png?width=1196&format=png&auto=webp&s=246c560c72340782e26ad03b8ff63367999eaadd Urban HorroIsolation With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia. https://preview.redd.it/dtbxjc3ict261.png?width=900&format=png&auto=webp&s=66a98cc3cba73d502f8586a215a65cc41c5408a1 The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films. https://preview.redd.it/egap17ttdt261.png?width=900&format=png&auto=webp&s=1aab204ac0845a7df74ceeff6d1f714274f9ace0 The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two. https://preview.redd.it/g53copgmct261.png?width=900&format=png&auto=webp&s=9d29e368ae695d295b36039e86125ccfd7b4eb88 Las Vegas As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas. https://preview.redd.it/gjow6hq2dt261.png?width=1992&format=png&auto=webp&s=10a379bc26df54af88064bf64813d5cdd29775d9 While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film. https://preview.redd.it/98ec10wxct261.png?width=1168&format=png&auto=webp&s=45e29aa361fa41ff74e2a6017e203015bdcbc6c3 New York/The Safdies Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect). https://preview.redd.it/f3w7yz4pdt261.png?width=1346&format=png&auto=webp&s=fe7e4f003987fd843020a42a5b53f94092984267 Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again". https://preview.redd.it/em255b5qdt261.png?width=1344&format=png&auto=webp&s=a5226c9496d0ae5c14b6d6c05e16f5ea18678a9a Obsession/Toxic Romance While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively. https://preview.redd.it/eq1ioijvdt261.png?width=898&format=png&auto=webp&s=f9e4b781ee60762ae767c4dbd92066357ebc24b0 In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem. https://preview.redd.it/3m661q62et261.png?width=1342&format=png&auto=webp&s=c9377018cb53f67cf7ce95b24392afb471e4aec1 One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love. https://preview.redd.it/zfllbd83et261.png?width=900&format=png&auto=webp&s=9c048ee98d86d7bbb9db67fa8302d34c36214c4f PostscriptTo cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.Steeped in the history of the medium… It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work. …is able to interpolate contemporary/mainstream films… This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom. …while also being fully in tune to the works of modern transgressive auteurs… In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video. --------------------------- …and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research. I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch! If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project. The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied. Thanks all! |
Date Of Gig | Country | Concert & Additional Info |
---|---|---|
24 Jun 10 (Thu) | UK, London, Debut London | Performed: Revolution, When You Gonna Learn, If I Like It I Do It, Light Years, Virtual Insanity, Too Young To Die, Little L, Alright, Hooked Up, Corner Of The Earth, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Love Foolosophy, Just Another Story, Deeper Underground. Exclusive 'warm-up' gig two days prior to the band supporting Stevie Wonder at the Hard Rock Calling event in London's Hyde Park. |
26 Jun 10 (Sat) | UK, London, Hyde Park, Hard Rock Calling | Performed: Revolution, When You Gonna Learn, If I Like It I Do It, Virtual Insanity, Too Young To Die, Little L, Alright, Hooked Up, Space Cowboy, Love Foolosophy, Deeper Underground. Jamiroquai are one of the support acts for Stevie Wonder, who headlines the second day of this three day festival in central London. |
02 Jul 10 (Fri) | France, Arras, Main Square Festival | Performed: Revolution 1993, When You Gonna Learn, If I Like It I Do It, Light Years, Cosmic Girl, Black Capricorn Day, Little L, Alright, Love Foolosophy, Deeper Underground |
11 Jul 10 (Sun) | Hungary, Zamardi, Balaton Sound Festival | Performed: Revolution 1993, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up, Corner Of The Earth, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Love Foolosophy, Canned Heat, Deeper Underground |
14 Jul 10 (Wed) | Switzerland, Locarno, Moon and Stars Festival | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up, When You Gonna Learn, Blow Your Mind, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Love Foolosophy, Canned Heat, Deeper Underground |
16 Jul 10 (Fri) | Italy, Naples, Neapolis Festival | Performed: Revolution, High Times, If I like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Blow Your Mind, When You Gonna Learn, Hooked Up, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Canned Heat, Love Foolosophy, Deeper Underground |
18 Jul 10 (Sun) | France, Carhaix, Festival des Vieilles Charrues | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Black Capricorn Day, When You Gonna Learn, Space Cowboy, Cosmic Girl, Love Foolosophy, Canned Heat, Deeper Underground |
19 Jul 10 (Mon) | France, Carcassonne, Grand Theatre | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up, When You Gonna Learn, Space Cowboy, Cosmic Girl, Love Foolosophy, Canned Heat, Deeper Underground |
21 Jul 10 (Wed) | France, Nimes, Nimes Arena | Performed: Revolution, When You Gonna Learn, If I Like It I Do It, Light Years, Little L, Cosmic Girl, Alright, Virtual Insanity, Rock Dust Light Star, Too Young To Die, Space Cowboy, Canned Heat, Deeper Underground |
23 Jul 10 (Fri) | Switzerland, Paleo Festival | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up, When You Gonna Learn, Just Another Story, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Love Foolosophy, Canned Heat, Deeper Underground |
24 Jul 10 (Sat) | Austria, Vienna, Nova Jazz Festival | No Info |
26 Jul 10 (Mon) | Monaco, Monte Carlo, Sporting Club | Performed: Blow Your Mind, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up, When You Gonna Learn, Black Capricorn Day, Space Cowboy, Cosmic Girl, Love Foolosophy, Canned Heat, Deeper Underground |
27 Jul 10 (Tue) | Monaco, Monte Carlo, Sporting Club | Performed: You Give Me Something, High Times, If I Like It I Do It, Virtual Insanity, Light Years, Little L, Alright, Hooked Up/Just Another Story, When You Gonna Learn, Black Capricorn Day, Space Cowboy, Cosmic Girl, Rock Dust Light Star, Love Foolosophy, Canned Heat, Deeper Underground. This is the second of two gigs at the Monte Carlo Sporting Club. |
29 Jul 10 (Thu) | Belgium, Tienen, Suikerrock Festival | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Light Years, You Give Me Something, Little L, Alright, Black Capricorn Day, When You Gonna Learn, Space Cowboy, Cosmic Girl, Love Foolosophy, Canned Heat, Deeper Underground |
06 Aug 10 (Fri) | Portugal, Sudoeste Festival | No Info |
09 Sep 10 (Thu) | UK, London (Knightsbridge), Mandarin Oriental Hotel | Performed: Love Foolosophy, Smokin Mirrors, LifeLine, Hurtin, Rock Dust Light Star, Blue Skies, White Knuckle Ride. Exclusive press/record-company 'showcase' gig to promote the album Rock Dust Light Star. |
28 Sep 10 (Tue) | UK, London, BBC Television Studios, Later with Jools Holland (tv) (broadcast date) | Performed: Rock Dust Light Star, Blue Skies, Deeper Underground |
09 Oct 10 (Sat) | Colombia, Bogota, Nem Catacoa Festival | No Info |
12 Oct 10 (Tue) | Brazil, Programa do Jo (tv) (broadcast date) | Performed: White Knuckle Ride, Love Foolosophy. Paul Turner did not perform with the band for this television appearance. His place was taken by Dale Davis. |
16 Oct 10 (Sat) | Brazil, Sao Paulo, Natura Nos Festival | Performed: Revolution, High Times, If I Like It I Do It, Virtual Insanity, Rock Dust Light Star, Little L, Alright, White Knuckle Ride, Black Capricorn Day, When You Gonna Learn, Cosmic Girl, Blue Skies, Love Foolosophy, Rock Dust Light Star (second version), Canned Heat, Deeper Underground |
20 Oct 10 (Wed) | UK, London (Kentish Town), Forum | Performed: Revolution, High Times, Rock Dust Light Star, Little L, Alright, Corner of the Earth, White Knuckle Ride, Black Capricorn Day, Cosmic Girl, Blue Skies, Love Foolosophy, Hurtin', Canned Heat, Deeper Underground. This concert is one of a series of concerts as part of the 'Q Awards 2010.' |
22 Oct 10 (Fri) | Switzerland, Basel, Festival Hall, AVO Session Basel | Performed: Revolution, Rock Dust Light Star, Little L, Alright, Cosmic Girl, Black Capricorn Day, Blue Skies, Love Foolosophy, Canned Heat |
28 Oct 10 (Thu) | Netherlands, Amsterdam, De Wereld Draait Door (tv) | Performed: Blue Skies (acoustic) |
29 Oct 10 (Fri) | Netherlands, Amsterdam, Paradiso | Performed: Revolution, High Times, Little L, Alright (slow version), Hurting, Smoke and Mirrors, Black Capricorn Day, Rock Dust Light Star (acoustic), All Good In The Hood, Love Foolosophy, Cosmic Girl, Deeper Underground |
31 Oct 10 (Sun) | UK, London (Wembley), The Fountain Studios, The X Factor (tv) | Performed: White Knuckle Ride. After performing Jay said he had 'reservations before appearing on the show' - and I'm sure the female judges did too after reading the 'quotes' that were printed from Jay in the Sun newspaper (UK) the previous day! |
02 Nov 10 (Tue) | Italy, The X Factor (tv) | Performed: White Knuckle Ride |
04 Nov 10 (Thu) | UK, London, AIR Studios, BBC Radio 2 In Concert | Performed: Rock Dust Light Star, High Times, Smoke & Mirrors, Little L, Alright, All Good In The Hood, Love Foolosophy, She's A Fast Persuader, Blue Skies, Deeper Underground. 100 pairs of free tickets to this concert were given away by BBC Radio Two (UK). Concert broadcast on BBC Radio Two. |
05 Nov 10 (Fri) | UK, London (Camden Town), Jazz Cafe | Performed: Revolution, High Times, Smoke and Mirrors, Hurtin', All Good In The Hood, Little L, Alright, Love Foolosophy, She's A Fast Persuader, Rock Dust Light Star, Blue Skies, White Knuckle Ride, Cosmic Girl, Deeper Underground. This gig was for winners of a competition organised by HMV. |
09 Nov 10 (Tue) | Switzerland, Zurich, Kaufleuten | Tickets can be won via the 20min.ch website. This is a small 'showcase' gig. |
15 Nov 10 (Mon) | France,Paris, L'Arc | Performed: Rock Light Dust Star, Smoke & Mirrors, All Good In The Hood, Hurtin', She's A Fast Persuader, Alright, White Knuckle Ride, Love Foolosophy, Deeper Underground. This is a private album launch gig promoted by Virgin Radio in France. |
15 Nov 10 (Mon) | France, Paris, Grand Journal de Canal+ (tv) | Performed: White Knuckle Ride, Love Foolosophy, Rock Dust Light Star |
20 Nov 10 (Sat) | Australia, Sydney (Point Piper), Take 40 Australia Party | Performed: Hurtin', Cosmic Girl, All Good In The Hood, She's A Fast Persuader, Alright, Love Foolosophy, Deeper Underground. An exclusive mansion house was rented in Point Piper to host the Take 40 Australia/Singstar party. The band performed outside in the garden on a stage built on top of a swimming pool! |
21 Nov 10 (Sun) | Australia, Sydney, The X Factor (tv) | Performed: Canned Heat. The band performed Canned Heat and Jay sung alongside X-Factor finalist Sally Chatfield. |
22 Nov 10 (Mon) | Australia, Sydney, The X Factor (tv) | Performed: White Knuckle Ride |
24 Nov 10 (Wed) | Japan, Tokyo, Refreshing (tv) | Performed: White Knuckle Ride |
24 Nov 10 (Wed) | Japan, Tokyo (Shinjuku) | Performed: Rock Dust Light Star, White Knuckle Ride. The band performed a short set on a stage set up outside on the streets of Tokyo for the launch of the Azul by Moussy store in Shinjuku. This performance was not officially announced or confirmed, but word spread round and the streets were full of people. Shortly before the band came on stage guitarist Rob Harris tweeted 'About to perform I Shinjuku. Closing down a street, pandemonium.' |
28 Nov 10 (Sun) | Germany, Stuttgart, Zapata | Performed: Cosmic Girl, Rock Dust Light Star, Smokin Mirrors, Alright, All Good In The Hood, Hurtin', Lifeline, She's A Fast Persuader, Blue Skies, White Knuckle Ride, Love Foolosophy, Deeper Underground |
11 Dec 10 (Sat) | Norway, Oslo, Spektrum Arena, Nobel Peace Prize Concert | Performed: Canned Heat, Lifeline, Virtual Insanity. Following the concert the band performed an impromptu two hour gig at the hotel they were staying at! |
Date Of Gig | Country | Concert & Additional Info |
---|---|---|
21 Jan 11 (Fri) | UK, London, Alan Carr Show (tv) (recording date) | Performed: Lifeline. The show was broadcast on UK television three days after filming. |
28 Jan 11 (Fri) | UK, The Sun Sessions (recording date) | Recording of a live 'session' for The Sun newspaper website. |
30 Jan 11 (Sun) | UK, London, Comedy Rocks (recording date) | Performed: Lifeline, All Good In The Hood, (and a few little snippets of songs to introduce acts and go in/out of commercial breaks). Jamiroquai are the 'house band' on this ITV comedy television show. The show was recorded on 30 January. |
07 Feb 11 (Mon) | France, Paris, Taratata (tv) (recording date) | Performed: Deeper Underground, Rock Dust Light Star, California Soul (by Marlena Shaw), White Knuckle Ride |
07 Mar 11 (Mon) | France, Paris, L'Olympia | The band performed a set lasting around 45 minutes at a private show as part of a 15 year celebration of fashion label Paul & Joe during Paris Fashion Week. |
18 Mar 11 (Fri) | Switzerland, Zurich, Hallenstadion | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, All Good In The Hood, Use The Force, Hang It Over, When You Gonna Learn, Blue Skies, Virtual Insanity, Smoke n Mirrors, Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, Scam, Hey Floyd, Alright, White Knuckle Ride, Feels Just Like It Should |
21 Mar 11 (Mon) | Germany, Hamburg, O2 World | Performed: Rock Dust Light Star, Main Vain, Cosmic Girl, All Good In The Hood, Use The Force, Hang It Over, When You Gonna Learn, Angeline, Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, Scam, Hey Floyd, Alright, White Knuckle Ride, Feels Just Like It Should |
23 Mar 11 (Wed) | France, Paris, Bercy | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirrors, Use the Force, Hang it Over, You Give Me Something, She's a Fast Persuader, Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, (Scam Break), All Good in the Hood, Alright, White Knuckle Ride, Feels Just Like It Should |
24 Mar 11 (Thu) | France, CANCELLED: Lyon, Halle Toni Garnier | On the afternoon of the concert the following message was posted at the Jamiroquai facebook page: Due to a tragic accident at the Halle Toni Garnier Arena, the gig at Lyon on 24th March (tonight) is regrettably cancelled. The band were shocked and saddened when told the news, and out of respect immediately felt the right decision was to cancel the show. A police investigation is taking place which would also have prevented the show from happening. We know how disappointed fans will feel, but can only say at this point, the gig will be re-arranged and we will have news of the revised date as soon as possible. |
26 Mar 11 (Sat) | Germany, Munich, Olympiahalle | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, All Good In The Hood, Use The Force, You Give Me Something, Hurtin', Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, Hey Floyd, Feels Just Like It Should, Alright, White Knuckle Ride |
28 Mar 11 (Mon) | Austria, Vienna, Stadthalle | No Info |
30 Mar 11 (Wed) | Italy, Milan, Forum | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke and Mirrors, Use the Force, You Give Me Something, Hurtin, Little L, Canned Heat, Deeper Underground, Feels Just Like It Should, Love Foolosophy, Travelling Without Moving, All Good in the Hood, Alright, White Knuckle Ride, When You Gonna Learn |
31 Mar 11 (Thu) | Italy, Mantua, Palabam | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirrors, Use the Force, You Give Me Something, Hurtin', Little L, Canned Heat, Deeper Underground, Love Foolosophy, Use the Force, All Good in the Hood, Alright, White Knucle Ride |
02 Apr 11 (Sat) | Italy, Turin, Pala Olympico | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirrors, Use The Force, You Give Me Something, Space Cowboy, Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, All Good in the Hood, Alright, White Knuckle Ride |
03 Apr 11 (Sun) | Italy, Florence, Mandela Forum | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirror, Use the Force, You Give Me Something, Hurtin', She's a Fast Persuader, Little L, Canned Heat, Deeper Underground, Love Foolosophy, Travelling Without Moving, All Good in the Hood, Alright, White Knuckle Ride |
05 Apr 11 (Tue) | Luxembourg, Rockhal | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirrors, You Give Me Something, Hurtin', Little L, Canned Heat, Deeper Underground, Love Foolosophy, Space cowboy, Travelling Without Moving, Scam, All Good In The Hood, Alright, White Knuckle Ride |
06 Apr 11 (Wed) | Germany, Stuttgart, Porsche Arena | No Info |
08 Apr 11 (Fri) | Germany, Berlin, O2 World | No Info |
10 Apr 11 (Sun) | Belgium, Brussels, Vorst Nationaal | No Info |
12 Apr 11 (Tue) | Germany, CANCELLED: Oberhausen, Konig Pilsener Arena | On the day of the concert Jamiroquai.com posted the following message "Unfortunately owing to illness tonights Jamiroquai concert in Oberhausen has had to be cancelled. We apologise for any inconvenience caused and will advise of the rescheduled date for the concert as soon as we can." |
13 Apr 11 (Wed) | Netherlands, Rotterdam, Ahoy | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, Smoke & Mirrors, You Give Me Something, Hurtin', Little L, Canned Heat, Deeper Underground, Space Cowboy, Love Foolosophy, Travelling Without Moving, All Good In The Hood, Alright, White Knuckle Ride |
15 Apr 11 (Fri) | UK, London (Greenwich), O2 Arena | No Info |
17 Apr 11 (Sun) | UK, Birmingham, LG Arena | No Info |
19 Apr 11 (Tue) | UK, Manchester, MEN Arena | No Info |
20 Apr 11 (Wed) | UK, Glasgow, Glasgow SECC | No Info |
29 Apr 11 (Fri) | Chile, Santiago, Movistar Arena | No Info |
18 May 11 (Wed) | France, Cannes, Hotel Martinez | Private gig during the Cannes Film Festival organised by clothing label Replay. |
20 May 11 (Fri) | Argentina, Buenos Aires, Quilmes Rock Festival | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, You Give Me Something, Lifeline, Little L, Canned Heat, Space Cowboy, Feels Just Like It Should, Love Foolosophy, Corner Of The Earth, Travelling Without Moving, Alright, Deeper Underground, White Knuckle Ride |
31 May 11 (Tue) | France, Paris, Casino de Paris | Performed: Rock Dust Light Star, Little L, Canned Heat, Love Foolosophy, Travelling Without Moving, Scam Intro, All Good In The Hood, Alright, Deeper Underground, White Knuckle Ride, Cosmic Girl. Private concert organised by Pression Live. |
08 Jun 11 (Wed) | Estonia, Tallin, Saku Arena | No Info |
10 Jun 11 (Fri) | Russia, Saint Petersburg, Ice Palace | No Info |
12 Jun 11 (Sun) | Russia, Moscow, Crokus City Hall | No Info |
14 Jun 11 (Tue) | Ukraine, Kiev, Palace Of Sports | No Info |
18 Jun 11 (Sat) | Poland, Warsaw, Orange Festival | No Info |
21 Jun 11 (Tue) | Croatia, Zagreb, T-Mobile Festival | No Info |
24 Jun 11 (Fri) | Bulgaria, CANCELLED: Razlog, Elevation Festival | Jamiroquai cancelled their appearance at this festival because of an injury to Jay Kay's ankle. |
26 Jun 11 (Sun) | Turkey, CANCELLED: Istanbul, Kurucesme Arena | Jamiroquai cancelled their appearance at this festival because of an injury to Jay Kay's ankle. |
02 Jul 11 (Sat) | Romania, Mamaia, Orange Summer Party | No Info |
03 Jul 11 (Sun) | Former Yugoslavic Republic Of Macedonia, Skopje, Philip-II-Arena | No Info |
09 Jul 11 (Sat) | Serbia, Novi Sad, Exit Festival | No Info |
13 Jul 11 (Wed) | Germany, CANCELLED: Straubing, Jazz Donau | The concert was unfortunately cancelled on 12 July. |
14 Jul 11 (Thu) | Germany, CANCELLED: Mainz, Zollhafen Nordmole | The concert was unfortunately cancelled on 12 July. |
16 Jul 11 (Sat) | Switzerland, Bern, Gurten Festival | No Info |
17 Jul 11 (Sun) | Germany, Ulm, Radio Festival | No Info |
19 Jul 11 (Tue) | France, Arcachon, Velodrome | No Info |
21 Jul 11 (Thu) | Italy, Padova, Piazzola Sul Brenta | No Info |
22 Jul 11 (Fri) | Italy, Rome, Ippodromo Delle Capannelle | No Info |
24 Jul 11 (Sun) | Italy, Lucca, Piazza Napoleone | No Info |
26 Jul 11 (Tue) | France, CANCELLED: Bayonne, Arena | This concert was cancelled at the very last minute and the following statement was made the following day. Jay Kay would like to apologise to disappointed fans for the cancellation of last night's show in France. Jay's on-going groin injury has been diagnosed as a hernia which will be need to be operated on later in the summer. Following an MRI scan last week specialists had advised rest but Jay has insisted he wants to try to finish the current run of dates. Doctors have said that provided he manages the pain sufficiently he can continue performing if he feels able. During the course of the past two days the pain flared up again and yesterday he reluctantly decided he did not feel he well enough to perform last night. After two days rest he is hopeful he will be able to complete the remaining 4 shows of the current run, including Toulon tomorrow night. Jay said "I would like to thank fans for their understanding, this is a very frustrating injury and some days the pain is just too extreme to perform to a standard I believe is acceptable. I promise I will do my best to come back out again soon when I'm fully fit and am optimistic I'll be able to pull off the remaining shows of the run." |
28 Jul 11 (Thu) | France, Nice, Palais Nikaia | No Info |
29 Jul 11 (Fri) | France, Toulon, Six Four Festival | Performed: Black Capricorn Day, Main Vein, Cosmic Girl, High Times, Morning Glory, Little L, Canned Heat, All Good In The Hood, Hey Floyd, Feels Just Like It Should, Love Foolosophy, Travelling Without Moving, Scam, Alright, Deeper Underground, White Knuckle Ride |
31 Jul 11 (Sun) | Spain, Barcelona, Poble Espanyol | No Info |
03 Aug 11 (Wed) | Spain, Malaga (Auditorium Municipal) | No Info |
07 Aug 11 (Sun) | Ibiza Privilege Club | No Info |
05 Sep 11 (Mon) | Turkey, Istanbul, Kurucesme Arena | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Morning Glory (Intro), Canned Heat, All Good In The Hood, Hey Floyd, Feels Just Like It Should, Love Foolosophy, Use The Force (Interlude), Travelling Without Moving, Scam (Break), Alright, Deeper Underground, White Knuckle Ride |
09 Sep 11 (Fri) | Italy, Monza, Stadio Brianteo, F1 Rocks | Event organised as part of the Italian F1 Grand Prix. |
29 Sep 11 (Thu) | Brazil, Rio de Janeiro (Barra da Tijuca), Olympic Park Rock City, Rock in Rio | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Morning Glory, Canned Heat, Love Foolosophy, Travelling Without Moving, Deeper Underground, White Knuckle Ride |
20 Nov 11 (Sun) | Germany, Oberhausen, Konig Pilsener Arena | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Canned Heat, All Good In The Hood, Hey Floyd, Feels Just Like It Should, Love Foolosophy, Travelling Without Moving, Scam (break), Alright, Deeper Underground. Due to heavy fog in London on the day of the concert the bandmembers arrived at the venue late with no time for a soundcheck. The concert started slightly later than planned and there were many complaints about the sound quality because of the lack of soundcheck. This is the rescheduled concert that was cancelled on 12 April. |
22 Nov 11 (Tue) | France, Paris, Bercy | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Canned Heat, All Good In The Hood, Hey Floyd, Dynamite, Feels Just Like It Should, Love Foolosophy, Travelling Without Moving, Alright, Deeper Underground, White Knuckle Ride |
23 Nov 11 (Wed) | France, Nantes, Zenith Nantes Metropole | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Canned Heat, All Good In The Hood, Hey Floyd, Use The Force, Love Foolosophy, Travelling Without Moving, Alright, Deeper Underground, White Knuckle Ride |
25 Nov 11 (Fri) | France, Strasbourg, Zenith | Performed: Rock Dust Light Star, Main Vein, Cosmic Girl, High Times, Little L, Interlude, Canned Heat, All Good In The Hood, Hey Floyd, Use The force, Love Foolosophy, Travelling Without Moving, Alright, Hurtin', Deeper Underground, White Knuckle Ride |
27 Nov 11 (Sun) | France, Limoges, Zenith | No Info |
28 Nov 11 (Mon) | France, Toulouse, Zenith | No Info |
30 Nov 11 (Wed) | France, Lyon | No Info |
03 Dec 11 (Sat) | Belgium, CANCELLED: Antwerp, Lotto Arena | The Jamiroquai Facebook page wrote the following on 28 October - "We are sorry to announce the cancellation of the gig at Lotto Arena, Antwerp (Belgium), on 3rd December. This is due to unforeseen logistical problems, which have led to the difficult decision to cancel the gig. We hope to re-arrange the gig in 2012." |
10 Dec 11 (Sat) | UK, Silverstone, Red Bull F1 Racing Team Party | No Info |
31 Dec 11 (Sat) | Australia, Sydney, Glebe Island | No Info |
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